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The power of the narcissist

I’ve been grappling with a bit of a dilemma in the last few weeks. A figure from my past, who I worked hard to forget, has reappeared in a very public forum. He has been tasked by the government with a position of great responsibility, and that rankles with me. Because the person I knew ten years ago was far from deserving of such acclaim.

On several occasions I have come close to outing him – to sharing the details of his betrayal and asking, publicly, whether such a man should be trusted in this role. My decision not to was not an easy one to make: it does not come from a desire to protect him, or the feeling that he should be given the benefit of the doubt. It comes instead out of fear.

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Even as I type this I can feel my pulse quicken and a sour taste rise in my mouth. I am furious that, after all this time, he can have this hold over me: but such is the power of the narcissist.

This man did not abuse me, physically. What he did was way more insidious: undermined my self-esteem and worldview to the extent that I did not know which way was up any more, then pulled the rug from underneath me to reveal depths of deception that I had not even begun to imagine. He was an expert manipulator – to paraphrase his brother he was ‘a pathological liar who I would not trust with my own children’. And this is why, after much deliberation, I cannot bring myself to take him on. He has too much to lose, and I am sure he would have no qualms about destroying me in his quest to protect it.

Even at the time, it was hard to communicate to an outsider (or even to myself) what it was that was so toxic about our relationship. On the surface, I was holding it all together – a burgeoning teaching career, an active social life, the ability to turn on a smile whenever it was needed. But underneath it all I was slowly crumbling away. It took me many years to recover fully, and it’s just not a place I want to go back to.

It has got me thinking, though, about how strong women get taken down by manipulative men. I have met several women in the time that has passed who have escaped from similar situations, and each time my response has been similar: “But you’re so clever/pretty/funny/brilliant. How on earth could you let yourself get taken in by such a loser?”

And that’s from someone who’s been there. So how anyone who has not been subject to such skilled manipulation is expected to understand it is anyone’s guess.

This is in the forefront of my mind now as I begin to work on the latest draft of my second novel. Whilst it is not autobiographical, the dynamic of the central relationship definitely plays out along these lines. And the conversation I had with my agent about it last week mirrors my fears about trying to resurrect the injustices of the past. To her, it’s just not believable. The predicament my protagonist wanders haplessly into makes her look impossibly naive. It is the behaviour, she suggested, of a teenage girl rather than a confident woman in her twenties.

I wish I could go back and tell myself the same.

Of course, in the context of my novel, my agent is entirely right. Often events that are pulled directly from real life are incredibly difficult to translate into fiction. Without the anchor of incontrovertible fact the challenge of making someone buy into a story is all the harder. So I know I need to go back to the manuscript and work out how to do that, how to tweak and tease the details of my protagonist’s life and the way I tell her story to convince the reader that she really could be so vulnerable.

And against the backdrop of this ghost from my past being put on such a pedestal, my motivation to get it right is all the stronger.

I may not be brave (or stupid) enough to take this man to task on a public stage, but I can do my damnedest to expose the complex dance of mental disorder that unfolds in a narcissistic relationship. And maybe even, by holding a mirror sharpened by fiction up to the nightmare suffered by its victims, I can open up a dialogue which will enable others to be a little less afraid of confronting the demons in their past.

 

Muddled Manuscript

 

The lure of the dark side

What is it we find so irresistible about dark and twisted fiction?

I’ve wondered sometimes whether it’s just me: often when I relay to my husband the plot of one of my favourite books, or try to convince him to watch a film that’s caught my eye, he can’t quite understand why I would want to immerse myself in such torment.

It’s not so much horror I like, and certainly not gore, but rather the depths and depravity of human emotion at its worst.

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Since I first read it when I was about seventeen, my favourite book has been Ian McEwan’s ‘A Child in Time’ – a harrowing account of the impact losing a child has on her parents. He is still the person I come back to as my favourite author, the person whose body of work I most aspire to, and it is the strong element of macabre I think that lures me in most effectively.

More generally I find myself drawn to tales of loss, of death, of suffering and abandonment. Stories which explore the evil that humanity is capable of, and expose parts of the soul that you would never wish to encounter in real life. And I find them fascinating rather than depressing. There is definitely something cathartic about them – a place to play out my deepest fears which I can put to bed again simply by closing the book.

My most recent novel definitely strays into this territory. An examination of the horrible ways people can treat each other, with an antagonist who brings together some of the worst traits I have come across in my experiences and those of others. It was a little harder to switch off from that – there were days (and nights) when his consciousness seeped into my own and left me feeling distinctly unsettled. But still I found myself compelled to tell his story.

The short stories that I have written are even more twisted. I’m sort of playing around with the idea of putting together a collection, and in trying to identify the common thread which binds them together there is no escaping the darkness at their core. Obsession, murder, man-eating hermit crabs, psychosis, self-amputation: putting them all side by side is making me wonder a little exactly what it is that’s going on in my head!

But it seems that I am not alone in feeling the pull of the dark side. When I alluded recently to a short story I was working that was possibly too dark to share I wasn’t intentionally building up intrigue, but it seems that just that thought was enough to make people want to read it. It’s still sat on my hard drive, waiting for an appropriate outing, but it’s kind of good to know that I’m not the only one who likes to immerse myself in these shadowy worlds.

I’ve been working on another story this week, one inspired by the awesome story of a woman in Exminster placing a Gumtree ad for someone to help her test her home-made time machine. I was struggling for a hook at first, and of course when it did begin to emerge it was from those shadows.

I guess there is just a part of me that is fascinated by the more sinister workings of the human mind, and how they play out in interactions with other people. The seeds of those workings must be lying somewhere in the recesses of my mind, but by germinating them in the realm of fiction I am satisfying that desire for darkness whilst being able to focus my real life on altogether more pleasant pursuits.

And I suppose that is one of the many reasons why fiction is so important! Who knows what would happen to the world if our imaginations did not have that safe place to explore their darkest fears…

 

Muddled Manuscript

Bird by bird

This week, I finally got round to writing some fiction. I’ve been in something of an involuntary hiatus recently, talking myself into a bit of a corner where I was not writing, not very happy about it, and seemingly incapable of wrestling back control.

And then something caught my eye, a book I’d bought back in September which from its title alone had given me the nudge I’d needed to get on with the edit of While I’m Alone. I’d been generally trying to resist reading, thinking that might be one of the things stopping me from getting any words of my own down on paper, but seeing as it didn’t seem to be working I thought I might as well dip in and see what else it had to offer.

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I reminded me of a couple of things that I think I’d forgotten. How not every piece of fiction I write needs to (nor should be) part of some bigger purpose – be it working on a novel, or producing something for the blog, or moving closer to publication. How it’s ok (even important) just to let the words flow at first, without worrying that they seem a bit rubbish. How planning (which I have tended to rely on so far) is not the be all and end all, and actually starting to write something without any detailed ideas about where it’s headed has the potential to be even more powerful.

On one level this got me thinking again about the novel that’s been waiting patiently for months for me to get on and write it. One of the things that’s been holding me back is feeling the need to have a concrete idea of plot and structure before I begin to write, rather than just the key scenes and characters that have set up home in my mind so far. But actually I think just getting started might be a better option.

Having said that, with my world still full to bursting at the moment I’m not quite feeling in the right headspace to immerse myself in a whole new novel. So instead I turned to another idea I had scribbled down in the middle of a night some months ago…

I initially thought that too might have had pretensions to be a novel. But actually I realised, for now at least, it would make a much better short story. And so I wrote it as that.

I’m not going to share it here – it’s too long, and quite possibly a bit too dark… But I’ve written it, felt once again the pleasure of words rushing through my fingertips to create characters and emotions and tension, and that’s what’s important.

 

Writing Bubble

The way through the woods

We went for a walk in the woods this week. Arthur had been asking for a while – unusually, as he tends to prefer the sea. And so once the rain had cleared and the colds we have both been laid low by had begun to recede we headed up towards the trees.

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It’s a walk we’ve done many times before. We’re so lucky to have Berry Head on our doorstep: as well as the spectacular views from the top it offers a winding woodland on the way. I had thought, once we’d wandered through our usual patch of green, that we might make our way to the cafe on the headland. As he is increasingly wont to do, though, Arthur had other ideas.

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There is a gate just off the main path which I’ve noticed several times before, but which we’ve never actually been through. Not for any particular reason – it’s just not the way we go. This time though Arthur was intent on seeing what was on the other side. He actually managed, as I hung back dreaming of a latte, to get the gate open himself. And once he had? Well, it would have been churlish not to follow.

I let him lead the way from that point, and I think the images capture the adventure that followed better than I can in words. He was so fascinated by everything he discovered – things to look at and smell and touch and hear. Occasionally he threw a glance in my direction to check I wasn’t too far away, but essentially he was lost in his own little world.

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The finale to Arthur’s explorations was suitably spectacular: at the end of this little avenue he discovered what he could only imagine was a spaceship. Not long after this last pic he made a dash for my shoulders – there had been plenty of exploring for one day.

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This particular adventure clearly left quite an impression on him. He has talked about the ‘big and strong’ spaceship in the woods as he’s drifted off to sleep the last couple of nights. I can only imagine the wonders he has been seeing in his dreams.

 

Country Kids from Coombe Mill Family Farm Holidays Cornwall