Tag Archives: setting

Close to home

There has been something incredibly satisfying about working on a novel over the past couple of weeks that draws its inspiration from the town I now call home.

I’ve been here five years, but the first two novels that I wrote at my desk overlooking the sea were based on a very different life. Their plots and characters were woven from memories which, as memories do, have faded as my distance from them increases, and whilst there is nothing wrong with seeking inspiration from the past I have found my present a much richer source of detail.

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It’s kind of ironic, really, given that this third novel is historical, playing out its story between the 1970s and the dawn of the new millennium, and thus further away temporally than each of the others. The world I have created within it is not the same as the one I live in now, but that has not stopped my senses seeking out the experiences it needs to strengthen its authenticity.

Going back to edit the draft, its stifling seventies’ summers conjured in the winter months, I brought to bear another layer of experience from the summer just passed. My love affair with life by the sea has inevitably found its way onto its pages, and I believe that it is an altogether better novel for it.

There is something in that journey that feels good for my soul, too. To be living and breathing the words that I write rather than tearing myself between my current reality and another, far removed, that I am trying to make true.

This past week’s writing, now that I have submitted that draft to my agent, has focused in even more on the experiences that define me now. When I am not trying to carve out this niche for myself as a writer, a large amount of my remaining energies go into my local lido – both in swimming whenever I get the chance and in working to help run it, restore it and preserve it for years to come.

On Saturday I took part in a fundraising challenge, swimming thirty lengths alongside other lovers of its watery charms. As I swam my 1500 metres, a longer distance than I’ve attempted in many years, my mind worked on a story I’ve been developing to answer a call for submissions for new writing from lido lovers. I finished writing the first draft of that on the beach yesterday afternoon, and after a few hours of polishing emailed it off this morning.

I can’t guarantee that my next wave of inspiration will come from the water that surrounds me here – and in fact it would be an impoverished body of work that was too insular in its outlook – but I think perhaps I needed grounding, and it feels like these projects have achieved just that.

It will be interesting to see where they take me next…

 

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A sense of place

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My editing process is undergoing something of an enforced hiatus at the moment. After a very difficult week last week Arthur and I are now in London, drawn by two family birthdays and some important new babies to meet!

I packed very optimistically, bringing everything I needed to pick up where I’d left off last Tuesday. But away from the structures and the solitude of our life in Brixham it seems unlikely that I’m actually going to get much done.

But that might not be altogether a bad thing…

I’m ahead of where I thought I’d be by now, my planned one chapter a day having galloped into two then three and sometimes even four as the story drew me back in. In fact I’ve only got two chapters to rework before I’m at the end of the novel – at which point I’m planning on one last sweep through (for now) to pick up anything I’ve missed and add in some bursts of narrative from a different perspective.

And in the meantime, whilst I’m traversing London to catch up with different friends and give Arthur a flavour of the capital, I’m going to open myself up to London’s spirit. I’m going to let its essence infuse my bones once again, remind myself of the multitude of tiny ways it differs from Devon. Because Grace’s story unfolds on these streets, streets which once were so achingly familiar to me but which seem so far away when I’m sitting at my desk staring at the sea.

I may not be able to do much work whilst I’m here, but when I’m finally able to sit back down at that desk next Monday morning I will hopefully be carrying with me those all-important details that will enhance my novel’s sense of place. And the fact that I get to immerse myself once more in London life whilst I’m gathering them is all part of the fun.

 

 

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